Despite the fact that Max Ernst has long been regarded by his peers as a major trailblazer in research into the subconscious, a pioneer of oneiric art, and a prince of the kingdom of the bizarre, neither in France nor in the United States has he received the general public acclaim he deserves. Only in the past decade has this
unfortunate lack of understanding finally evaporated, and his work, which has always been appreciated by a few friends and faithful collectors, is now enjoying a universal vogue, as is evidenced by numerous international exhibitions.

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