In Baltimore, Jelena Lengold offers an exquisite portrayal of a Belgrade writer, a woman in her forties, whose tightly packed, unresolved inner conflicts with herself and the people closest to her have led her to a sobering dead end. She is compelled to turn around and look closely at the routine of her everyday life her marriage, family, friends, loves, lies and the likes. What she finds is a strange mixture of uncertainty and boredom, insecurity and determination which grow into fullblown frustration at sessions with her therapist. The writer’s block the protagonist suffers from is a metaphor for a blocked life, a life led in the recesses of reality represented in bouts of silence, web cam voyeurism and Internet flings.

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