BiFilter2

Tone2 is proud to present BiFilter2, a high-end quality stereo filter
module. BiFilter2 drastically extends the .filter plug-in. concept to
provide today.s creative musicians with an extremely powerful
multi-effect tool.

Years of research were necessary to create the ultimate filter module
for today.s musicians. We are certain that you will find it to be a
useful and powerful tool in your musical arsenal and have a lot of fun
making music with BiFilter2!

BiFilter2 offers dual multimode filters with 47 unique and different
sounding filter types. 8 additional distortion types, FM, AM, wave
shaping and lo-fi effects create new and unheared sounds.

A high precision display shows the frequency response of the filter in
realtime. This makes BiFilter2 very easy to use and understand.

BiFilter2 features:

* 47 unique, different sounding filter types
* 8 distortion types
* FM, AM, Waveshaping, bit crushing, resampling, comb filtering, vocal
filtering, equalizing, reverbaration
* High precision, real time frequency response display
* Smooth and click-free knob movements
* High-end quality filter algorithms, anti-aliasing, oversampling
* True stereo architecture, works in all known sample rates
* Easy to use interface
* 100 presets
* Midi and automation support
* High performance

Filter types:

* Off . The filter is disabled.
* LP 30dB . A lowpass filter with a 30dB/Octave slope.
* LP 12dB . A lowpass filter with a 12dB/Octave slope.
* LP Analog . A analogue modeled lowpass filter with self oscillation.
* LP Moog . A lowpass filter with a classic .Moog Diode Ladder Filter.
type response.
* LP Fat - A lowpass filter with very broad resonance.
* LP Oct . A lowpass filter with resonance tuned in octave distance
from the cutoff point.
* LP Elliptic - A .brickwall like. lowpass filter with very steep
slope.
* HP 30dB . A highpass filter with a 30dB/Octave slope.
* HP 12dB . A highpass filter with a 12dB/Octave slope.
* HP Elliptic - A .brickwall like. highpass filter with very steep
slope.
* HP Analog . A analogue modeled highpass filter with self
oscillation.
* BP 15dB . A bandpass filter with a 15dB/Octave slope.
* BP 6dB . A bandpass filter with a 6dB/Octave slope.
* BP Analog . A analogue modeled bandpass filter with self
oscillation.
* BR . A band rejection or notch filter with an adjustable center
frequency and slope.
* BR Analog . A analogue modeled notch filter with self oscillation.
* EQ Low Shelf . A lowpass shelving filter.
* EQ Hi Shelf . A highpass shelving filter.
* EQ loudness . A loudness filter.
* EQ Peak 1 . An equalizing filter with a broad slope.
* EQ Peak 2 - An equalizing filter with a tight slope.
* EQ Block . cuts all frequencies below and above the selected range.
* VOC IEAOU 1 . A series of vocal formant filters emitted by vowel use
in human speech.
* VOC IEAOU 2 . A series of vocal formant filters emitted by vowel use
in human speech.
* VOC A - A vocal formant filter.
* VOC - A vocal formant filter.
* VOC - A vocal formant filter.
* VOC I - A vocal formant filter.
* VOC O - A vocal formant filter.
* W-Shape - Double parallel-switched bandpass filters.
* M-Shape - Serial lowpass and highpass filters, with 2 resonant
maxima at the edges of the filter.
* Allpass . Does nothing, just changes the phase of the signal.
* Phaser - A phasing filter that affects the phase offset of the
incoming audio stream.
* Comb 2x . A comb filter, with multiple equally spaced resonance
peaks.
* Comb 3x . A different comb filter, similar to Comb 1.
* Comb 5x . A different comb filter, similar to Comb 1.
* Resonator . An oscillator which is excited from the input signal.
* Diffuser 8x. A 8 step diffuser filter with feedback. Sounds like
small room reverb.
* Diffuser 32x. A 32 step diffuser filter with feedback. Sounds like
large room reverb.
* Delay . Delays the input signal by a given amount.
* Resample . Resamples the signal to a lower sample rate.
* AM - Amplitude modulation.
* Formant 2 - Double formant (vocal) filter with 2 resonant maxima.
* FM Sine . Frequency modulation with a sine oscillator.
* FM Tri . Frequency modulation with a triangle oscillator.
* FM Saw . Frequency modulation with a saw oscillator.
* FM Square . Frequency modulation with a square oscillator.

Distortion types:

* Off . When this mode is selected, the distortion module will be
bypassed.
* Volume . Drive controls the volume of the signal.
* Tube Amp . A .soft knee. saturated distortion.
* Transistor . An asymmetric 'soft knee' distortion.
* Presence . A .soft knee. saturated distortion with falloff at higher
levels.
* Hard Clip . A .hard knee. clipping distortion.
* Bitcrush . This distortion type reduces the bit rate of the audio to
.lo-fi..
* Waveshape . This distortion type adds additional harmonics by using
round nonlinear amplification of the audio signal.
* Pow2 . This distortion type adds additional harmonics by using edged
nonlinear amplification of the audio signal. It is similar to
exciters.

Technical requirements:

PC version: VST compatible host software (free available), Windows
95/98/ME/2000/XP/Vista, 4 Mb free hard disc space, processor with at
least 100 MHz

MAC version: Mac OS X 10.3 or higher, Intel MAC or Power PC, 4 Mb free
hard disc space, processor with at least 100 MHz

http://www.tone2.com

Download File Size:1.39 MB

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