T-RackS plug-in
* State-of-the-art 6 band Mastering EQ
* Tube modeled stereo Compressor
* Multi-band Master Limiter
* Soft clipping output stage
* Complete Mastering Suite
T-RackS plug-in has everything you need to create superb, tube-toned
masters with your sequencer
Its rich, warm sound starts with algorithms based on true analog
circuitry. Its familiar interface makes it easy to control five
powerful processors: EQ, compressor, limiter, soft-clipping output
stage, and a complete mastering suite. Enhances mix frequencies,
stereo images, dynamic range and gives your audio a seamless, top
notch sound.
T-RackS plug-in includes:
* a state-of-the-art EQ
* a classic tube modeled compressor
* a multi band master limiter
* a soft-clipping stage
* a complete mastering suite containing all the plugs in one
efficient, "gold sounding" mastering plug-in built with actual
physical models of tube circuitry.
With its separate processors, astonishing warmth and ease-of-use,
you'll be putting a polish on your tracks you may have never thought
possible. All this, while adding the beautiful warmth and space of the
tube devices it emulates. No other plug-in offers this kind of
dedicated environment for such an important task and none sounds like
T-RackS.
* 5 sound processors: with its great sounding, analog-modeled
Equalizer, Compressor, Limiter and the Soft-clipping output stage,
T-RackS includes everything you need to create final masters.
* Specially Developed for Mastering: no other single software
processor sounds like T-RackS and none make mastering so easy. It can
vastly enhance mix frequencies, broaden the stereo image as well as
boost or precisely level the dynamic range. All this, while adding the
beautiful warmth and space of the tube-devices it emulates.
* Outstanding "Analog-Modeled" Sound: T-RackS' astonishing sound is
created with algorithms based on real analog circuitry. This is what
makes T-RackS sound so similar to real analog audio hardware, and so
unique when compared to other software.
* High Order 32 bit Internal Resolution: with 32 Bit floating point
resolution, T-RackS uses the best possible method to physically model
analog components, resulting in an amazingly real tube sound. Only
without the noise!
* High Productivity, Ease of Use: not only does it sound analog, it
acts analog! T-RackS is so easy to use because its interface resembles
a typical rack of hardware with analog controls.
* Superior Quality: T-RackS has the best quality-to-price ratio of any
top-selling sound processor, is an incredible value and is an
indispensable mastering tool for any studio, be it pro or project.
Apart of the new availability of separate modules, the new T-RackS
Plug In contains other monstrous improvements, compared to the
stand-alone version, including:
1) New full band sweepable mid bands on the Equalizer
Both the peaking filters can now cover the entire 20 . 20KHz audio
spectrum.
2) Refined high-end response
Now the T-RackS equalizer is even more musical and transparent at the
top end, the T-RackS Eq now has that characteristic smooth high end,
typical of those acclaimed analog devices.
3) Sidechain HPF in the compressor signal detecting chain
This adds an high pass filter in the detector stage of the compressor.
The detector stage is where the compressor analyzes the incoming
signal and determines how gain reduction must be applied. This
variable high pass filter prevents, when turned up, that "compression
pumping", mainly caused by the program low end content. The further
this knob is turned the the softer and more innaudible the compression
character will be. At the minimum or at very low settings the
compression will be much more aggressive and noticeable.
Use lower settings when you want to .hear. the compression effect and
use higher values for a gentle compression, as you may want in
acoustic mixes.
4) Individual limiter bands controls
Now all the three limiter bands low, mid, and high are individually
adjustable for threshold and level. This allows the user, for example,
to limit the program low end without applying unwanted compression to
the midrange.
5) Adjustable multiband limiter crossover points
Now the user can modify the two split points of the bands.
6) High precision calibration of the limiter and clipper output
If the output knob of the limiter is at 0 dB (default) the output of
the limiter will never go beyond -0.05 dBfs.
You can just squeeze the drive knob until you hear too much distortion
or limiting and can be sure that the output is at the industry
mastering standard level of -0.05 dBfs, without overs.
The same is for the Soft clipper.
Features
Equalizer
* State-of-the-art six band parametric equalizer, modeled on classic
top quality analog gear
* 4th order parametric, High and Low pass filters
* Parametric Low-shelving control
* Parametric Lo-mid control with Low or High "Q"
* Parametric Hi-mid control with Low or High "Q"
* Parametric High-shelving control
Compressor
* Classic tube stereo compressor/leveler designed for mastering
* Vintage-style compression unit
* Classic warm "in-your-face" sound of old tube mastering levelers
* Very-soft knee compression with no threshold point
* Stereo-image width control
* Mastering-oriented variable time constants
* Comprehensive and accurate gain-reduction VU
* Ratio control
* Variable Hi-pass filter on keying signal
Limiter
* Multiband master stereo limiter
* High-quality 3-band limiting stage
* Ultra fast peak detection
* Ultra-linear and accurate band mixing for high-end performance
* Overload for accurate control of limiting and saturation
* Soft clipping feature for warm analog emulation
* Comprehensive gain reduction VU
* Very accurate peak LED indicators at the outputs
* Output stage with hard/soft selectable clipping
Soft-clipping stage
* Astoundingly musical and smooth performance
* Variable clipping shape (from hard clip to ultra-soft) for complete
control and precision
* Easily increase gain with no compression or limiting artifacts
(unless you want them!)
* Create warm, saturated mastering effects
System Requirements
Power PC based Macintosh
Minimal: 866 MHz G4 processor, 512 MB of RAM, Mac OS X 10.4 or later.
Suggested: dual 1.25 GHz G4 or G5 processor, 1 GB of RAM, Mac OS X
10.4 or later.
Supported Plug-in formats: AU, VST, RTAS.
Classik Studio Reverb RTAS requires ProTools 7.0 or later.
Intel based Macintosh
Minimal: 1.5 GHz Intel Core Solo processor, 512 MB of RAM, Mac OS X
10.4.4 or later.
Suggested: 1.66 GHz Intel Core Duo processor, 1 GB of RAM, Mac OS X
10.4.4 or later.
Supported Plug-in formats: AU, VST, RTAS.
Download File Size:10.09 MB
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