2013
Lynda.com
Brian Lee White & Alex U. Case
02:46:00
English
Learn advanced Pro Tools mixing techniques, in a different way. The groundbreaking Get in the Mix learning experience allows you to watch Brian Lee White and Alex Case perform audio adjustments inside Pro Tools, while they explain their reasoning in the built-in video window. You don't watch in a video player; you learn inside the DAW itself.
This course covers 26 techniques for improving your mixes with compressors, processors, EQ and filters, reverb, delay, and modulation. The first chapter covers compression and dynamics processing, including how to even out vocal performances and how to add punch to drum tracks. The second chapter goes into EQ and filtering techniques, such as creating complimentary EQ curves and EQ-ing FX returns. Next, the authors explore delay and modulation techniques, including using long delay on key lyrics and creating flanger and phaser effects. The last chapter explores reverb techniques including using gated reverb and supporting a track with regenerative reverb.
Topics include:
- Using compression to even out vocals and add punch to drums
- Maximizing mix loudness
- De-essing a vocal track
- Using EQ to fix problems and place elements
- Automating EQ
- Using long delay
- Creating slapback echo
- Creating a flange effect
0. Introduction 2m 44s
Welcome 1m 40s
Using the Get in the Mix project files 1m 4s
1. Compression and Dynamic Processing 28m 53s
Using compression to even out a vocal performance 4m 55s
Using compression to add punch and sustain to drums 4m 39s
Maximizing mix loudness with brick-wall limiters 5m 58s
De-essing a vocal track 3m 30s
Gating a drum track 3m 18s
Using mix buss compression 2m 47s
Working with parallel compression 3m 46s
2. EQ and Filters 39m 38s
Using EQ to fix problems and place elements in the mix 8m 30s
Creating complementary EQ curves 9m 7s
Creative EQ with the telephone effect 5m 30s
Frequency bracketing with filters 5m 44s
Automating EQ 6m 18s
EQing FX returns 4m 29s
3. Delay and Modulation 1h 14m
Using long delay on key lyrics 7m 2s
Establishing groove with long delays 8m 42s
Creating slap-back echo with long delay 6m 6s
Modulation rate and depth 7m 32s
Modulation shape 7m 43s
Using modulation for a chorus effect 5m 54s
Double tracking 6m 23s
Spreaders and thickeners 11m 53s
Creating a comb filter and a flange effect 5m 34s
Flanger and phaser effects 7m 35s
4. Reverb 20m 0s
Changing the scene by changing the reverb 7m 37s
Gating reverb to emphasize any track in your production 5m 52s
Supporting a track with regenerative reverb 6m 31s
5. Conclusion 39s
What's next? 39s
www.lynda.com/Pro-Tools-tutorials/Get-Mix-Pro-Tools/137901-2.html
Download File Size:2.91 GB
|
