2014
Lynda.com
Alex U. Case
02:27:00
English
In this installment of Foundations of Audio, author Alex U. Case explains the fundamentals of delay and modulation effects and how to apply these effects, technically and creatively, to improve the sound of a mix.
The course covers adjusting individual parameters such as delay time, level, and feedback; working with long delays to create echoes, enhance groove, and add support; using delay modulation for chorus and doubling effects; and dialing-in spectral effects from delay, such as flanging. This course also includes Get in the Mix (GITM) sessions for both Avid Pro Tools and Apple Logic Pro. Exercise files are also included with the course.
Topics include:
Adjusting the delay time, level, and feedback parameters
Utilizing a low-pass filter and polarity reverse
Setting up an effects loop
Setting the delay time by tempo or by ear
Understanding the distinct uses of short, medium, and long delays
Adjusting modulation rate, depth, and shape
Adding double tracking and spreader effects
Manipulating tone with constructive or destructive interference
Creating a comb filter and flange effect
0. Introduction 4m 58s
Welcome 1m 40s
What you should know before watching this course 50s
How to use the exercise files 54s
Using the "Get In the Mix" Pro Tools session files 1m 34s
1. Understanding Delay 25m 46s
What is delay? 2m 7s
Creating delay effects overview 1m 41s
Delay time, level, and feedback parameters 3m 0s
Utilizing a low-pass filter and polarity reverse 3m 7s
Setting up an effects loop for delay 1m 6s
Setting up an effects loop in a DAW 5m 40s
Setting the delay time by tempo 5m 40s
Setting the delay time by ear 3m 25s
2. Echo Effects 31m 29s
Overview of short, medium, and long delays 3m 49s
Long delays 3m 17s
Get in the Mix: Using long delay on key lyrics UPDATED 7m 2s
Get in the Mix: Establishing groove with long delays UPDATED 8m 42s
Get in the Mix: Creating slap-back echo with long delays UPDATED 6m 6s
Advanced tape-delay effects 2m 33s
3. Modulation, Chorus, and Doubling Effects 49m 48s
LFO 2m 39s
Get in the Mix: Modulation rate and depth UPDATED 7m 32s
Get in the Mix: Modulation shape UPDATED 7m 43s
Delay effects examples in various plug-ins 3m 52s
Medium delays 3m 52s
Get in the Mix: Chorus UPDATED 5m 54s
Get in the Mix: Double tracking UPDATED 6m 23s
Get in the Mix: Spreaders and thickeners UPDATED 11m 53s
4. Spectral Effects from Delay 16m 31s
Constructive and destructive interference 2m 16s
Short delays 1m 6s
Get in the Mix: Creating a comb filter and a flange effect UPDATED 5m 34s
Get in the Mix: Flanger and phaser effects UPDATED 7m 35s
5. Conclusion 19m 11s
Using delays in a real-world mix 16m 59s
Course summary and goodbye 2m 12s
www.lynda.com/Audio-DAW-tutorials/Foundations-of-Audio-Delay-and-Modulation/89708-2.html
Download File Size:2.3 GB
|
