2014
Lynda
Richard Harrington
01:35:00
English

Hyperlapse = time lapse + camera movement. You can get the effect by moving your tripod manually or along a track, but shooting hyperlapse from a moving vehicle is the one guaranteed way to get really dramatic time-lapse footage. And it doesn't take a lot of gear. In this course, Rich Harrington introduces the equipment you need and the techniques you should use to capture great hyperlapse sequences, as he travels around the Nevada desert during the day and captures the bright lights/big city of Vegas at night. When he returns to the studio, he shares his post-processing tips in Adobe Camera Raw, Premiere Pro, and After Effects.

This course was created and produced by RHED Pixel. We're honored to host this content in our library.

Topics include:
Choosing the right camera for hyperlapse video
Mounting your camera
Stabilizing shots
Programming the camera
Capturing shots
Post-processing, assembling, and color grading footage

Introduction 57s
1. The Gear You Need 15m 3s
2. Setting Up the Camera 7m 34s
3. Capturing the Shot 12m 16s
4. Finishing the Shot: Night 19m 54s
5. Finishing the Shot: Night (Long Exposure) 20m 2s
6. Finishing the Shot: Day 16m 47s
Conclusion 32s

http://www.lynda.com/Photography-Cameras-Gear-tutorials/Color-grading-daytime-footage/163611/167968-4.html

Download File Size:4.52 GB

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