2014
Lynda
Richard Harrington
1:55
English

There are many reasons for shooting with multiple cameras. Perhaps it's to save time or achieve multiple angles. Or it might be to capture what's happening across a large area, like a sports arena or the stage during a concert. Luckily for editors, Adobe Premiere Pro supports editing and syncing footage from multiple cameras in situations like these. The multicamera editing process in Premiere is similar to live switching that occurs in mobile studios and newsrooms, and helps speed up the post-processing workflow. In this course, Rich Harrington reviews that workflow, showing you how to ingest footage and align it properly, as well as finish your video with color-correction and color-matching techniques.

Introduction
Welcome
What you should know before watching the course
How to use the exercise files
1. Multicamera Productions
Benefits of multicamera productions
The multicamera process
Synchronization strategies
2. Organizing and Preparing Media
Preprocessing
Importing files into Adobe Premiere Pro
Using content analysis
Customizing bin and clip views
Modifying timecode
Labeling clips
Initial white balance
Add clips to a multicamera sequence
Create the multicamera target sequence
3. Determine the Sync Point
Syncing with timecode
Syncing with audio
Syncing with a visual sync point
Syncing with markers
4. Syncing with PluralEyes
Importing
Aligning clips
Refining alignment
Exporting to Premiere Pro
Handing off to Premiere Pro
Connecting to Premiere Pro
5. The Multicamera Monitor Panel
Creating a multicamera workspace
Customizing keyboard shortcuts
Essential controls
6. Editing Multicamera Footage
Performing the first edit
Adjusting and refining edits
Flattening the multicamera sequence
Finishing techniques
Conclusion
Wrapping up

Download File Size:3.64 GB

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