2015
Lynda
Richard Harrington
6:44
English
Stay on top of the newest features in Adobe Premiere Pro CC. This course is dedicated to the video producers and editors who need to leverage the latest Premiere Pro tools and techniques fast. Author Rich Harrington covers the ever-changing and customizable user interface, quality and format improvements like the enhanced Mercury Playback Engine, timeline tricks, and media management techniques, and the best audio, multicamera, and closed captioning workflows.
This course was created and produced by Rich Harrington. Bookmark this course and check back for updates as Premiere Pro CC evolves.
Premiere Pro 8.2 Updates January 2015
Welcome to Premiere Pro 8.2 updates January 2015
Improved performance when scrubbing long-GOP (group of pictures) footage
New support for QuickTime and CineForm codecs for previews on Windows
Improved CineForm export
Improved duration control for transitions
Removal of speech analysis and how to access the speech-analysis tool
Support for ARRI Open Gate media
Introduction (October 2014.1 Update)
Welcome
What's the update called?
New Look and New Formats (October 2014.1 Update)
A new UI
HiDPI support
Adjusting font size
CinemaDNG updates
Improved debayering
Timeline in and out improvements
Project Management (October 2014.1 Update)
Consolidate and transcode with Project Manager
Project Manager options
An updated project file format
Render and replace After Effects compositions
Using the Video Codec and Field Order columns
Improvements to editing in Audition
Ripple labels and colors
Export frame improvements
Interpret Footage: Alpha premultiplication
Editing Improvements (October 2014.1 Update)
Join all through edits
Copy to clipboard for keyboard shortcuts
Timeline clip badges
Searching in a Timeline
Using search bins (smart bins)
Using a Timeline as a source
The End of Sequence Indicator
Improved markers
Improved Effects (October 2014.1 Update)
Adding Bezier masks
Feathering masks
Additional scaling controls
The Clip Name effect
The Timecode effect
The GPU whitelist
Introduction (April 2014 Update)
Welcome (April 2014 Update)
What's the update called? (April 2014 Update)
Timeline Improvements (April 2014 Update)
Maintaining audio pitch during scrubbing
Improvements to markers and the Marker panel
The Track Select Backward tool
Locking all audio and video tracks
Shortcut changes for stepping forward and backward through frames
Improved voice-over recording
Nudging audio
User Settings (April 2014 Update)
The Sync Settings upgrade
Improved shortcut keys
Typekit access
Improved Effects (April 2014 Update)
Masking and tracking
The FX badge
The Set to Frame Size command
Cleaning up effects and transitions for Mac-Windows parity
Preserving intrinsics and effects when flattening a multicam sequence
Using the checkerboard for transparency
Removing GoPro lens distortion in Premiere Pro
Master clip effects
After Effects text templates
Media Handling and Project Management (April 2014 Update)
Preserving bin structure on folder import
Improved import of Premiere project files
Manual sync offsets
Setting Media Browser favorites
Accessing the most recently used media paths
Autosave to Creative Cloud
Blackmagic CinemaDNG support and source settings
Improved search speed
The Reverse Match Frame command
Improvements to scratch disk workflows
RED GPU debayering
Export format changes
New Features - (December 2013 Update)
Voiceover recording
Ripple Delete
Marker enhancements
Project management
Timeline operations
Media and formats
User Interface Improvements
High-resolution viewing with a HiDPI user interface
Improved action-safe/title-safe guides
Switching between audio waveforms and video
Controlling the work area bar display setting
Creating a new sequence
Controlling tooltips
Toggle focus between the Source and Program Monitors
The Media Browser's new back button
Sequences displayed as thumbnails
Clear in and out points in the Project panel
Navigate edit points in the Source Monitor
Indicators for the end of a clip or sequence
Monitor overlays
Extending the Power of Premiere Pro
Finding new technology with the Adobe Exchange panel
Script integration with the Adobe Story panel
Direct Link to Adobe SpeedGrade
Creative Cloud Essentials
What is Creative Cloud
Activating Creative Cloud
Roaming Sync Settings
Checking for Software Updates
Deactivating with Creative Cloud
Quality and Format Improvements
The Composite in Linear Color setting
Expanded Adobe Mercury Playback Engine support
Merging and syncing clips with audio sync
Expanded format support
New (and improved) camera format support with 7.1
Improved time-lapse support when adding clips to a sequence
SWF format support removed
A Better Timeline Panel
Track targeting and source track indicator states
Working with scrollable track heights and creating track height presets
Customizable track headers
Source patching presets
Improved snapping behaviors
Selecting and nudging clips
Dupe-detection markers
Through-edit indicators
Start and end media labels
Out-of-sync indicators
Copying and pasting ranges
Trimming to a zero duration
Nested sequences
Frame-hold options
Change the trim type of a selected edit point
JKL playback speeds
Changes to markers
Improvements to the Add Edit command
Turn off automatic restarting of playback
Set focus to the Timeline after inserting or overwriting edits
Enhancements to the Lift or Extract feature
Copy, Cut, and Clear work on in and out points
Toggle clip enable
The Linked Selection toggle button
Selecting a default start-timecode preference
Project and Media Management
Displaying the project bin structure in the Media Browser
Using the Link and Locate dialogs
Editing an offline file
Linking to and from image sequences
Auto-Save controls
Selective XML and AAF export
Editable sequence settings
Relinking offline sequences
The enhanced EDL Export Settings dialog
Better revealing of media
Drag and preview files in the Source Monitor
Easily identify offline clips from the Timeline
The new Tone Settings dialog
The Source Settings dialog
Matching frames using clip selection
Auto-Save improvements
Create a unique title
The Improved Effects Workflow
The Paste Attributes option dialog
The new GPU-accelerated Blur effect
Creative color grading with the Lumetri Color Engine
Creating review copies with the Clip Name and Timecode effects
Multiple GPU support for rendering and export
Render all sequences
Reset individual properties
Copying and pasting transitions to multiple edit points
Reversing clips
Improved Audio Workflows
Support for third-party effects
The Audio Effects plugin window
Control surface support
Adjusting clip volume
Seeing effect interfaces in the Audio Track Mixer
Improved Multicamera Workflows
The Create Multi-Camera Source Sequence option
Automatic syncing with audio waveforms
Changes to multicamera monitoring
Customizing multicamera keyboard shortcuts
Recording multicamera edits
Rearranging multicamera angles
Multicamera Match Frame
Multicamera effects
Flattening multicamera sequences
Improved Closed Caption Workflow
Importing a caption file
The Captions panel
Adjusting the caption display
Exporting with captions
Improved Export Controls
32-channel audio sequences
16-channel QuickTime export
Export Frame improvements
Streamlining H.264 and MPEG2 encoding with matched encoding settings
New device presets
Track layout for QuickTime export
64-bit QuickTime writing
Export multiple clips or sequences
Export with a LUT
Export with a timecode overlay
Export with clip names
Export with a watermark
Conclusion
Conclusion (October 2014.1 Update)
Download File Size:2.64 GB
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