2015
Lynda
Jeff I. Greenberg
0:52
English

Recording dual audio, the practice of recording audio separately from the camera, started originally with film. It's become a common practice with the current crop of DSLR and cinema cameras. The challenge for editors is matching the video and audio in post.
Luckily, Final Cut Pro X has amazing ability to sync your media—and it gets even better when you incorporate the powerful third-party plugin PluralEyes. This course will help you quickly master the nuances of this workflow, save time, and get the best results when syncing media in Final Cut Pro.

Welcome
Welcome
Using the exercise files
1. Overview of a Sync Sound Workflow
History of dual sync audio
Overview of the Final Cut Pro X process
Best practices
2. Synchronizing Clips
Syncing clips based on audio
Syncing clips based on markers
Using in points for better thumbnails
3. Post Sync Adjustments
Picking the right audio in the Inspector
Cleaning up sound in the Inspector
Fixing syncing in compound clips when it goes wrong
Adding metadata in the Inspector
4. Organizing Sync Clips
Using keywords to separate sync clips
Building a Smart Collection of sync clips
Rejecting (and hiding) original clips
5. Additional Sync Workflows
Multiple audio sources to a single track
Multicam sync
Multiple cameras with a start stop
Baking in sync
6. Working with Red Giant PluralEyes
Overview of PluralEyes workflow
Sending media to PluralEyes in a timeline from Final Cut Pro X
Syncing multiple clips in PluralEyes in one step
Sending sync clips back to Final Cut Pro X
Conclusion
Next Steps

Download File Size:2.88 GB

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