2014
Lynda
Maxim Jago
1:45
English

This course is the first in a series on producing content for a music video EPK, or electronic press kit, using the tools in Adobe CC. Here Maxim Jago covers the media acquisition and management stage of the process, which ends in an assembly edit—a rough edit that illustrates how the director would like to structure the final film. You'll learn how to use Adobe Prelude and Premiere Pro to organize mixed-media files, ingest them, transcode them, work with metadata, and use automation to speed up your edit, before preparing a simple assembly edit to present to editors or collaborators.
Stay tuned for future courses in the series, which will cover the other steps in the workflow, all the way up to the finished music video.

Introduction
4m 33s
Welcome
1m 24s
Using the exercise files
3m 9s
1. Organizing Media Files
24m 58s
Working with multiformat media
6m 30s
Staying organized on your media drives
4m 22s
Introduction to Prelude
6m 42s
Reviewing media files
7m 24s
2. Ingesting Footage
34m 5s
Making media selections and partial selections
6m 12s
Transcoding on ingest
6m 13s
Producing multiple copies on ingest
4m 20s
Stitching media files
4m 46s
Batch renaming files on ingest
6m 55s
Using metadata schemas
5m 39s
3. Manually Adding Metadata
19m 19s
Using the Metadata panel
5m 33s
Adding speech data with Adobe Story
7m 29s
Using comment markers
6m 17s
4. Creating a Rough Cut
21m 16s
Building a rough cut in Adobe Prelude
8m 58s
Sending a rough to your nonlinear editor
5m 25s
Preparing a simple rough cut in your nonlinear editor
6m 53s
Conclusion
1m 41s
Next steps
1m 41s

lynda.com/Premiere-Pro-tutorials/EPK-Editing-Workflows-01-Ingest-Assembly-Edit/166372-2.html

Download File Size:1.93 GB

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