Here are 3 great plugs

MegaDelayMass

It's a new kind of multi-tap delay. HERE, NOW!!!

Think about this: up to 100 separate delay taps that can be either rigidly time
synched OR completely randomized. Go from vocoderish resonate to unusual, non-linear,
reverby sounds. Control the volume of the head of the delay or the tail! Randomize
panning! Control randomized "clumping" through a logarithmic curve. Use it as a non-
linear room simulator (especially if you're a fan of pre-delay). Affect the phase of
individual taps. Add a regenerative delay that only plays back ONLY the sound of the
taps and can be placed anywhere over 2000 ms with control over its own feedback and
phase!

Slip-N-Slide

At Intelligent Devices, one of our guiding principles is that we make tools for audio
manipulation that we would want to use. Consequently we like to make audio tools that
simply don.t exist elsewhere.

Slip-N-Slide is a case in point. What we have here are actually several different
frequency domain effects, each with a significant amount of control over the effected
as well as unaffected portions of the sound and each affording either a little or a lot
of .randomness..

With Slip-N-Slide you can create almost anything from shimmering, temporally rigid,
spectral tremolos to slurred speech, to quirky, reverse-gate sounding effects, to new
ambiances to continuously new rhythmic and sonic artifact riddled accents.
The combination of spectral processing with controllable randomization is very powerful.

The Marshall Time Modulator

CONTROL TIME ITSELF! - with The Marshall Time Modulator (now in a convenient, cross-
platform plug-in size!) Once in a while something is created that is so good, so
unbelievably useful, it becomes "timeless"...

The Marshall Time Modulator is one of those creations. Before there was much "digital"
anything, and before records were considered something anachronistic and nostalgia
evoking, back when "Dark Side of the Moon" was new and Hip-Hop kind of a distant dream,
Stephen St. Croix had an idea: What would happen if you took the the longest analog
delay line possible, gave it the greatest signal to noise ratio in a piece of outboard
gear, and then made the modulation of it possible over such a wide range that it could
effect sound in ways sublime AND outrageous. Something so utilitarian and necessary
that it could fit in equally well on Stevie Wonder's "Songs in the Key of Life," or as
the means of giving extra gravitas to the sound of a bad acid trip. Stephen called it:
The Marshall Time Modulator. You'll call it "indispensable".

More info: http://intdevices.com/proaudio/product/products/

Download File Size:41.67 MB

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