The new standard in modular audio software.
Is this a familiar picture? Cables lead from a microphone input into a
small digital effect. More cables connect the effect to a mixer. Elsewhere,
a MIDI cable links a MIDI input to a synthesizer, which is in turn
connected to a mixer. Old hat, right? Now, imagine this: the same single
output socket sprouting no less than eight different cables connecting
eight different effects.
It gets better: A sound is broken down into 256 individual bands, then
each is tweaked one at a time in a unique way. As he performs, a musician
decides to add an LFO to a synth's filter cutoff knob, where no LFO existed
before. Sound crazy? Not anymore. The new paradigm of computer audio can be
summed up in two words: "real-time" and "modular" -- both of which are
embodied by one application...
http://www.plogue.com/
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