Buy and Download - Rgc Audio z3ta Plus VSTi DXi 1.3

As a complete instrument, z3ta+ is oriented to the professional musician and sound programmer looking for uncompromised sound quality and features.

Oscillators

32-bit wavetable synthesis with three rendering modes (DRAFT, NQ, HQ). Full Stereo processing. 6 Oscillators, 60 built-in waveforms, 10 user loadable waveforms, PWM possible in all oscillators with any waveform. 64 voice polyphony (CPU dependant) with polyphony limiter and Intelligent Voice Allocation Independent Waveshaper for each oscillator with 14 wave transformations: WARP, TWIST, MULTIPOINT, WAVE, SYMMETRY, DRIVE, WAVE, OFFSET, SHRINK, SELFSYNC, BIT REDUCTION, HIPASS and LOWPASS filters, DC-OFFSET & WINDOW, fully bandlimited and real-time capable. Full Legato mode when monophonic mode is selected. Circular inter-oscillator modulation. Ring modulation, Hard Sync, PM and FM modes for any oscillator. MULTI mode for any oscillator, which turns any oscillator in 8 oscillators (4 stereo oscillators) with adjustable detune. Octave (-5 to +5 oct), Transpose (-12 to +12 semi), Detune (-50 to +50 cent) and Phase (0 to 360 deg) controls for each oscillator. Key sync and Free Running, Normal or Inverted tracking modes for any oscillator. Main Transpose, Main Tune controls. Oscillator random tune control with per-oscillator generator. Adjustable Punch control (drum machine-like DC burst). Individual settings for Pitch Bend Up and Down (-12 to +12 semi). 4 Pitch Bend modes: Normal, Up, Down and Hold notes. 4 monophonic/polyphonic Portamento modes: Normal and Fingered, Fixed and Variable time. Two mixing busses for oscillators outputs. Individual Level/Modulation amount control.

Filters

2 Stereo Filters (4 filters total), 10 Filter Modes: 12dB/oct LPF/HPF/BPF/BRF, 24dB/oct LPF/HPF/BPF/BRF, 36dB/oct LPF, formant. Filters can be set in parallel or serial. Individual Cutoff, Resonance, Resonance Boost, Pan, Level and Limiter controls for each filter. Link mode.

Low Frequency Oscillators

6 Morphing capable LFOs, 4 global, 2 local (per-voice), all host Tempo Sync capable. One-shot LFO mode. 60 waveforms, 10 user waveforms. Individual Offset, Delay, Fade In, Morph Time, Speed, Tempo Sync and Key Sync mode controls. 10 LFO combination modes: MORPH, ADD, IADD, SUB, ISUB, MUL, MIN, MAX, HALF1, HALF2.

Envelope Generators

Eight 6-stage envelope generators, 1 bipolar, 6 unipolar, 1 main Amp eg, all with adjustable positive or negative amount. Individual Delay, Attack Time, Slope Time, Slope Level, Decay Time, Sustain Level, Release Time controls. Individual Attack, Slope, Decay and Release shape controls with 3 shapes (linear, slow, fast).

Arpeggiator

Algorithmic arpeggiator with all basic patterns. MIDI arpeggiator with 100 built-in patterns. Included converter to create arpeggio patterns from Standard MIDI files.

Modulation Matrix

16 row modulation matrix with Source, Range (min/max), Curve, Control and Destination options. 24 modulation sources, including all LFOs, Egs, Attack and Release velocity, Unipolar and Bipolar keyboard tracking, internal functions and polyphony. Min and Max modulation adjustable. 12 modulation curves, including Linear, Slow, Fast with normal and reverse polarity, and four pitch curves. Over 200 modulation controls, including all Egs, unipolar and bipolar Pitch Bend, channel and polyphonic Aftertouch, Modulation Wheel, Breath, all MIDI CCs, velocity, unipolar and bipolar keyboard tracking, audio input and X-Y pad. Over 60 destinations, including Pitch, PW, Levels, Routing, Pan, LFO and EG parameters, Functions, and many FX parameters.

Effects Section

Drive

6 Drive modes, including Soft/Hard drive, Valve Amp, Smart Shaper and Heavy Metal (local plus global drive stage), individually selectable for both filters.

Tone, Drive and output Level controls. Progressive Stereo Decimator (lo-fi).

Modulation

9 Mode Modulation section, full stereo operation (except when mono modes are selected). Modulation speed sync'able to host Tempo. 3 modulation waveforms. Broad range of Chorus, Flanger and Phaser effects available, including mono/stereo chorus, flanger and phaser, 6-voice chorus, Quad phaser. Delay, Speed, modulation Depth, Feedback, 2-band Modulation Equalizer with selectable modes and Level controls.

Compressor

3 Mode dedicated compressor, with Threshold, Ratio, Gain and output Level controls.

Delay Section 3 individual stereo delay lines, with Time (L & R), Delay, Feedback and Level controls. Multi mode 3-band EQ inserted in the feedback loop, with 6 EQ modes. Tempo Sync capable.

Delays

Three independant delay lines which sync to host tempo. Stereo, Ping, Cross and LRC delay modes. Three-band stereo equalizer with six eq modes for each delay line. Individual time settings for L and R channels, feedback and level controls

Reverb

Full stereo reverb. 4 Reverb modes, including Small Room, Mid Hall, Big Hall and Plate. Size, Damp, Lo, Hi and Wet/Dry controls.

Eq

Full stereo eq.

7 band equalizer with 11 equalizer modes (Wide 1/2/3, Half 1/2/3, Low, Lo/Mid, Mid, Mid/Hi, Hi). Stereo Cabinet-Amp simulator, with 19 different preset simulations.

Main Effects

Effect bypass. Stereo Main Limiter.

MIDI Learn

All controls are MIDI Learnable, with adjustable min/max/reverse status via right-click. Multiple MIDI CC#'s are possible to be assigned to same control, multiple controls can be attached to one MIDI CC#.

ASIO microHost

Ultralight ASIO host for live performance and programming (90k) Supports 44.1, 48, 88.2 and 96 kHz samplerates. Virtual keyboard with PitchBend/Modulation/Breath/Aftertouch/Program Change/Transpose controls using PC keyboard. Simultaneous use of multiple MIDI ports. Saves 16-bit and 32-bit WAV files direct-to-disk.

New in v1.2

DUAL filters mode z3ta+ allows now to have filters in SERIAL configuration, but they are still stereo! To achieve that, a new DUAL mode was introduced. When in this mode, both filters will change its operation mode to stereo, and filter 1 will be routed to filter 2.

Many new filtering options are the result of this change:

LPF->HPF, HPF->BPF, FORMANT->LPF, etc.

The VA Collection bank Included the last factory bank (F), created with the Producer job in mind: Direct-To-Track presets, with minimum effects usage.

This set includes analog sounds from vintage and new gear, and it showcases the new dual filters option. There impressive.

PASTE SPECIAL function The new Paste Special function allows pasting settings for Oscillators, Filters, LFOs, EGs, Matrix and all individual effects between patches, a utility/time saver for the creation of new sounds.

Get Effects from Program File Function This function allows applying all effects settings to a program from a template program stored on disk.

New matrix sources

U-Random, B-Random: A random value will be generated on every key-on. Osc1 / 6: Any oscillator can be used as modulation source now.

Oscillators can now be used as a fast LFO which can be shaped using the waveshaper!

USER defined initialize program z3ta+ will search for a preset called default.fxp in the \Presets folder when the Program…Initialize function is called. If the preset is found, it will be used in the initializing operation (load). Standard initializing will happen otherwise.

z3ta+_fx version (VST) Now z3ta+ can be used as a multieffect processor unit in VST hosts New User Manual z3ta+ user manual was rewritten and updated with all new features added since the first release.

Bugfixes: PHASE control clicks when clicking and holding the mouse on it. Cubase SX Always on top resets Filters LINK control. All Save..A dialogs will prompt before overwriting a existing file now.

New in v1.3

Hermode Tuning

Effects2

VST Detune