We grew up with soundtracks like Alien by Jerry Goldsmith and Bernard Herrmanns
Psycho. Reaching to more recent composers, Michael Giacchino (Star Trek) and John Debney
(Predators) are an inspiration for us as composers. It triggered a deep longing within us
to create a tool series for scoring film in a way that just hadnt been done before. Tutti
opens a new world of rich cinematic orchestral sound and offers you a broad range of
unique sounds with a character that is unmatched in richness and quality. What we did was
create sections with full orchestral cues spanning 4 to 8 bars. Each cue was recorded in a
staggering 5 positions and each of these positions is 100% available for editing in the
effective Sonokinetic user interface.

This library includes full orchestral samples like: Long and short tension builders,
sustained patterns, highly detailed textures in multiple styles and complexities, full
orchestral hits and big smashes, chord bending, glissandi and crescendi. Each cue has been
recorded in multiple takes and a selection of the best takes is available in this sample
collection, providing the composer with a tool that has so much variety and editing
possibilities inside that no sample from this collection will ever sound the same, thus
preventing over-usage or the feel of recognition. A little tweaking in mic positions, or
choosing a different take of a particular cue will result in a different sounding musical
fx or phrase.

Something we are very proud to announce is the technical achievement to provide you with
access to the uniquely created Tutti score by implementing it in the users interface.
This will give you a straight gaze into the heart of this collection. It provides you with
the extra option to select a particular sound or fx you are looking for by viewing its
content, progression, dynamics, length and speed.

Tutti was recorded using a highly established and experienced cinematic symphonic
orchestra with the best musicians, conductor, technicians and composers. We chose to
include all orchestral sections, piano and celesta. Stopping our musician counter at 98.

Each cue was recorded in tutti formation and we believe the best way to do this was by
a live performance. With this came the incredible sounding hall that Tutti was recorded
in. With a very warm, detailed and wide acoustic fingerprint this collection bears its
own cine-score realism in space and sound. Though by providing different technical options
for mic positioning, stereo imaging and volume control each sound quality can be adjusted
and edited to fit your specific need to blend these samples with your composition.

Again Sonokinetic sticks with its unbeatable pricing module and high quality sampling.
This is an absolute giveaway and hard to resist library.

Were proud to release Tutti and let her spread the inspiration of the full orchestral
fx and textures sound.

We try to push the limit to capture the magic of all music with a wide selection of easy
to use symphonic instrumental samples.

http://www.sonokinetic.net/products/classical/tutti/

Download File Size:3.63 GB

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