About the Trilogy collection
The printed ephemera of the early to mid-nineteenth century is visually rich and mixes together a range of diverse type styles. In an article on 'Type mixtures' [Typography 3, Shenval Press, 1937], Jan Tschichold advocates the mixing of type styles as a means of enhancing typographic layout. I could see parallels with the printed ephemera of 100 years earlier, but now through the skilled eyes of Tschichold as a modernist. The early nineteenth century saw the emergence of the Fatface, Egyptian and Sans serif type styles. These three styles formed the base of the Trilogy type designs and allow me to explore what a trilogy in type could mean.
http://typography.net/fontfamilies/view/11
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